Trendspotting 2011: Daniel Goldin

Daniel Goldin is the proprietor of Boswell Book Company. He may be reached at daniel [at] boswellbooks dot com.

In my twenty-fifth season as a bookseller, and my second as a bookseller-proprietor, I’ve come to believe that the only constant is change. When I started, the local department store still had a book department, and our fiercest competitors were other independents. Since then I’ve dealt with the rise of book superstores, the growth of mass merchant book departments, the push of book publishers into nontraditional retail (cooking stores, home improvement, craft stores, etc), internet sales, and now e-books. So what else is new?

Despite trying to play in all the major areas, we are predominantly a traditional bookstore, getting more than three-quarters of our revenue through the sales of new titles. Our gift product, excluding calendars, runs about 10%, our second hand just north of 5%, and our bargain slightly south. As a new business, my projection had been for sales growth in the second year. I’m glad to say we’ve been hitting our numbers about half the time (generally projected for 10% increases over our first year), and have been less than 5% below projection the other months. One factor is our yearlong publicity hits and word of mouth, which often pay off in the holiday season. In addition, a local competitor that had selectively strong customer loyalty quickly failed.

I’ve heard about the e-factor from other stores. We’re continuing to have a conversation with our customers, and the ones who got devices (often as gifts) are using them selectively. Of course you’d figure that the ones who are devotees would just disappear but it’s my thought that early adopters also jumped quickly to internet purchases. That said, the big fans think nothing of talking my ear off about their devices. It seems odd to me, but I have found it best to just listen and learn. Though we are an ABA e-commerce partner, I chose to wait on signing up for Google Editions until after the holidays.

Our sales successes are fairly close to other independent bookstores of our profile, with The Autobiography of Mark Twain, Unbroken, Cleopatra, and Life topping our sales lists on the nonfiction side. It’s pretty much the nonfiction bestseller list minus the conservative politics (we sell Decision Points at a respectable pace, but not at the velocity of other outlets). Awards drive sales for us, as do the New York Times and NPR, and our local paper, especially at this time of year. I’ve continued to see great numbers from our New York Times best-of-the-year display.

The hardcover fiction business seems to have become very brand-driven in the fourth quarter, and even most of our hits (Franzen, Martin, Sedaris) are, in effect, brands. Only Emma Donoghue’s Room has that awards-plus-word-of-mouth something that seems to be working in all the indies. It had a pop on the national lists and I suspect it will be back on them after Christmas. Aside from that, we’ve had to make our own bestsellers—would you like a Peter Geye to go with that pile?

One of my worries is not so much about our store itself, but the changing nature of publishing as the model tilts towards e-books, and for us, print on demand. We’ve had more customers rejecting books because of bad paper, print quality, and large price increases as backlist moves from traditional printing to POD. My argument to one customer that she could double her reading speed by reading both sides of the page without turning it held no water. And another core backlist book (a novel with a local setting) jumped 50% in price when it moved to POD is now simply unsellable, despite the continuation of trade terms. I fear that these are all moves that will inadvertently move my customers to e-readers. What happened to the focus on quality that publishers tossed around at panels? And can we start that bundling conversation going again?

In the end, we’re a sort of long-tail store, with lots and lots of singles selling, and people browsing through our sections for what seems like hours. I’ve thought for the last few years that if customers know exactly what they want, we’re more likely to lose them, and we’ve been trying to build experience. I’m willing to selectively sacrifice turn to keep our core nonfiction sections interesting, but this is also where I’ve been able to use second hand books to good effect. I’ve also thought that the only thing we have over our competitors is a genuine relationship, so more than anything else, I find myself trying to remember customer names, sometimes at the expense of my book knowledge.

For the future, I’m cautiously optimistic with my usual mix of enthusiasm and panic. I agree with some pundits that there is room for new growth in the indie market. I see many metro areas around the country that currently have no strong indie bookseller that would find a place in the hearts of customers. One sign of hope that I have is that by providing what is pretty much the same product but in a different way, we’re able to create draw regular customers from quite a large geographical area. I know there are folks that would love our store that simply don’t know that they love it yet, and I’m hoping word-of-mouth, good marketing, and a broad assortment of events will help us gain new fans.

Despite being affected by national and international trends, what happens to Boswell is also profoundly local—the Milwaukee-area economy, the health of my retail strip, the energy of my booksellers, and the renewal of our lease. And I always say you’re only two or three strategic mistakes away from closing. Sadly, that mistake can be one of either action or inaction. Here’s to not messing up (too much) in 2011!

Trendspotting 2011: Jacqueline Murphy

Jacqueline Murphy is an agent at Inkwell Management. She may be reached at jacque [at] inkwell.com or on Twitter @JacqueMurphy.

Having lately switched my jersey to play for Team Agent after many years running with Team Publisher, what surprised me at once was that that my job hasn’t changed. As citizens of an interconnected ecosystem, none of us in the book universe are on entirely opposing sides.

Are some traditional booksellers in jeopardy of demise in 2011 thanks to tablets and e-readers? Can we ding agents for fanning the fire if they become publishers? Will digerati party crashers finally ruin everyone’s chance for making a profit? Maybe it’s all true, but there was never a remarkable amount of money to be made in this industry anyway, relative to some others.

Depressed yet? Don’t be.

Coupled with the distraction of constant change is the chance to innovate. What’s most true for the book industry in 2011 is that the year delivers an outstanding opportunity for its paid participants to be entrepreneurial. Why should crunchy tech smarties like Steve Jobs and Jeff Bezos, or even Tim O’Reilly for that matter, have all the fun? When my young son builds a tower with blocks, the best part for him is knocking it down; but when his sister decimates his work, well, that’s when all the crying starts. Creative destruction is always more fun when it’s your own idea.

Our offerings. Publishers, as well as a few agents and booksellers, are getting damp up to the knee trying a bit of everything. Experimentation. There’s chunking of content, digital serialization, varied attempts at multimedia, graphical formats and iPhone apps. Generally, however, the approaches have been scattershot. Maybe the moment has come to stop experimenting and start investing more aggressively in new forms? Wade in more deeply and have a new product strategy.

Our compact with readers. Do any of us really feel connected to customers who buy single copies? Sure, we’re tweeting and re-tweeting, but what can 140 characters really tell you? Communities of interest for readers and writers like Shelfari, Squidoo, and Wattpad are everywhere. Though few of the social networks for readers and writers are publisher-driven. There are plenty of passionate readers out there forming book clubs and online forums, we need to work harder to forge a relationship with the people who populate them.

Our business model. Maybe there’s still money to be made, so let’s start shaking the trees like we mean it. Why wait for Apple or Google to Netflix us? Trying something radical ourselves may offer better opportunities than death by a thousand cuts. Talk amongst yourselves. There’s no silver bullet here. But our saving grace may be that the passion people in our industry have for books and literature (not to mention survival) may just fuel the entrepreneurial vision that leads us into the future.

Agents & E-Books Exclusive Survey Preview

The Idea Logical Company and Market Partners International recently conducted an anonymous, invitation-only survey of U.S. literary agents on the subject of e-book royalties, and many chose to comment on each question.* 135 agents took the survey. The findings—along with the reactions of seven publishing CEOs, who often questioned the agents’ contentions—will be presented by ILC’s Mike Shatzkin and MPI’s Constance Sayre at a panel at Digital Book World on Wednesday, January 26. Preliminary results show that, of the agents surveyed . . .

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Holiday Books Survey Results Are In

For more results from this survey, check out Book-Giving Etiquette Guide and I Love You, Keith Richards.

“My siblings assume that every book I get is free, so they expect books AND a ‘real present.’”

“Any time I give a book, I fear it will be assumed that I did not pay for it, so I always try to find ways to mention the shopping trip.”

“I include a return receipt in case they want to exchange it (and of course as evidence of its purchase).”

“My stepmother was so accustomed to getting books from me all year round, that whenever I carefully shopped for some special favorites for the holidays, she just returned them to me after reading them—as if they were just like the ones I had loaned her. No matter how many times I’d say, ‘I bought those for you!’, she’d give them back.”

As the results of our Holiday Books: Giving and Getting Survey rolled in, we realized we’d hit a collective nerve: People in publishing around the world (okay, mostly in the U.S.—but 40.3% of our survey respondents were from somewhere other than New York City!) simultaneously enjoy and fret over giving books as holiday gifts. The proof of actual payment! The schnorring! The reluctant readers! All are enough to tempt book publishing folk to wrap up socks, booze, or video games instead. Luckily, they aren’t succumbing: 95% of the two hundred-plus respondents to our survey—a mixture of agents, editors, and many others—are giving books as gifts this holiday season:


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Survey Results: Book-Giving Etiquette Guide

For more results from this survey, check out Holiday Books Survey Results and I Love You, Keith Richards.

As we mentioned here, our final survey question was about issues of book-giving etiquette. We included a couple of prompts to get our respondents going, but were still surprised by the many thoughtful answers we received. It’s clear that you love giving books but still find the process fraught. Here are some of our favorite responses:

  • “I recently added a few of my favorite books to a friend’s Kindle as a gift prior to their leaving on a long trip. It was a pretty hollow gift-giving experience. I don’t think I would do it again.”
  • “When sending a package of books to a VIP contact, I find myself putting extra effort into the packaging and presentation of the stack, almost as if I’m afraid that the fact that they are a valuable commodity would otherwise be lost. . . . I end up making sure I state ‘compliments of the publisher’ or something to that effect, just to get the point across that a decision and thought was needed in sending these ‘free’ books. No book is ever free!”
  • “Best not to accidentally regift to a friend of the author a book inscribed to you by the author. The perfect book gift is one to a right-wing friend that lets him start out thinking the book is ‘safe’ but by the end has shown him the error of his ways.”
  • “Be careful not to give a book that says ‘You need to improve something and here’s how. Also, don’t give a book in order to bring someone with the opposite opinion to your side. It’s not nice to give a book that says ‘Look how smart I am! I read this book and I bet you can’t.’”
  • “I always feel like I should have something intelligent to say about the particular book I’m giving, whether or not I’ve read it, and that can be a challenge. But it raises the bar, and generally leads to better (and more meaningful) gift-giving.”
  • “Always with an explanation: ‘I BOUGHT these.’ And ‘I loved this book, hope you will, too.’”
  • “Whenever I give ‘free’ books (i.e., ones I’ve lifted from the workplace), I always tell people so they don’t think I’ve spent a lot of money on them. But my husband gets mad every time I do it. He thinks it makes us look cheap.”
  • “Sometimes I end up reading books that are given to friends for their birthdays at the party, which raises a few eyebrows. Apparently, reading at social events is anti-social behavior.”
  • “I always give books to the children of extended family members, even if they don’t consider them the most ‘fun’ gift.”
  • “I have never given the Rodale book I published—When Difficult Relatives Happen to Good People by Leonard Felder—to any relative! But I should.”
  • “It’s the reading of it that’s the gift, not the book.”
  • “Writing a message inside the cover to the recipient supposedly lowers its monetary value. I say it’s more important that the sentimental value is higher.”
  • “Everyone loves to get books as presents.”
  • “I only give signed books and the unexpected and extraordinary.”
  • “Books are first and foremost my choice of gifts for all occasions. Period the end.”
  • “I try to give them more as ‘hostess’ gifts than as regular gifts, or supplement them with other things. It’s helped that my mother, as she ages, been telling us not to give her gifts. She doesn’t want us to spend the money, so books do work nicely.”
  • “Giving a book as a gift is often neither easy nor simple. But when you hit it, with just the right book as a gift for just the right person, it makes me really really joyful and jazzed.”
  • “When I worked for a publisher, no one used to gift me books. That was bad enough, but now that I no longer work in a world of freebies, people forget that my favorite gift would be a book.”
  • “I enjoy the books I receive from publishers as perks of our business, but those are for me. I make a point to buy the books I give as gifts, as I believe that authors (and their publishers) should receive their deserved royalties. Who better to support and subsidize our business than those of us who work in it?”

I Love You, Keith Richards

For more results from this survey, check out Holiday Books Survey Results and Book-Giving Etiquette Guide.

When asked to list the books they are giving as gifts this year (whether they’re schnorring, swiping from work, or buying), respondents were extremely forthcoming—ditto when asked to list the titles they hope to receive themselves. A * indicates that a title was mentioned the same number of times as the one above it.) You sure like your aging rockstars:

The Books Publishing Folk Are Giving

  1. Life, Keith Richards (Little, Brown)
  2. Autobiography of Mark Twain, Vol. I (University of California Press)
  3. Freedom, Jonathan Franzen (FSG)*
  4. Just Kids, Patti Smith (Ecco)
  5. Room, Emma Donoghue (Little, Brown)
  6. Unbroken, Laura Hillenbrand (Random House)
  7. Hunger Games Trilogy, Suzanne Collins (Scholastic)
  8. Earth (The Book), Jon Stewart (Grand Central)
  9. At Home, Bill Bryson (Doubleday)
  10. Our Kind of Traitor, John le Carré (Viking)*
  11. The Emperor of All Maladies, Siddhartha Mukherjee (Scribner)*
  12. Finishing the Hat, Stephen Sondheim (Knopf)*
  13. The Boss Baby, Marla Frazee (S&S/Beach Lane). “Best ever for parents of all ages,” said one respondent at a large NYC house.

Runners Up:

The Books Publishing Folk Hope to Get

Once again, consensus on Keith Richards: Life tops most wishlists, with Finishing the Hat by Stephen Sondheim and Freedom by Jonathan Franzen tied for second place. Several respondents also hoped to receive Simple Times: Crafts for Poor People by Amy Sedaris and The Essential New York Times Cookbook by Amanda Hesser. After that, though, responses were scattered all over the place. A selection:

  • “Nobody gives me books because they assume I’ll have ready access to anything I want to read,” says an agent. Similarly, “No one ever gives me books because I work in the industry. :-(“ and “I’d love to get books, but everyone is afraid I will have them already.”
  • On the other hand . . . “NONE. I have enough” and “Got ’em all already”
  • “Would love to get the new Geoffrey Hill collection, but I’d have to go to London and buy it at the London Review Bookshop”—Editor in NYC
  • “Obscure gift books which I cannot even imagine the existence of.”
  • Nora Ephron’s new book if I don’t read it before giving it!”
  • “Unusual titles, such as Taschen illustrated books.”
  • Built-Ins (Taunton Build Like a Pro series)—Editor in Alabama
  • “Anything from Timber Press”—Marketing, large NYC house
  • Stolen Daughters, Virgin Mothers: Anglican Sisterhoods in Victorian Britain, Susan Mumm (Leicester University Press, $135)
  • The Food Stylist’s Handbook, Denise Vivaldo (Gibbs Smith, $50)
  • “Surprise me!”—Publicist
  • “Does an iPad count?”—Editor in NYC

People Roundup, December 2010

Jon Yaged has been named President of Macmillan Children’s. He had been COO at HouseParty.com since March 2010 and was previously VP and Publisher for Disney Book Group.

Nina Hoffman, President of National Geographic Books, will leave at the end of the year. Editor-in-Chief  and Books COO Hector Sierra will report to Declan Moore, who was recently promoted to Publishing President, for the interim. Children’s book publishing will continue to report to EVP of Children’s Publishing Melina Bellows.

Steve Black has been named VP, Client Services at Simon & Schuster Distribution. He was co-founder and COO of CDS (later bought by Perseus), and was most recently Sales Manager for Book Sales and Director of Sales at Southern Progress. He will have responsibility for distribution client relationships and new business development, reporting to Dennis Eulau. SVP Supply Chain Operations Joe D’Onofrio, who joined Simon & Schuster in 1986, has left. As a result of the reorganization, VP Director of Finance Karen Fetty will also be leaving.

In an unrelated development, S&S Associate Publisher Aileen Boyle is leaving the company.

Oxford University Press announced that after an “extensive search,” Niko Pfund, Publisher of OUP’s Academic division, has agreed to assume the position of Interim President, OUP USA, but will also continue in his current role.

Effective January 10, 2011, David Rosenthal is joining Penguin as President and Publisher of a new, still unnamed imprint. Rosenthal was most recently Publisher and EVP of Simon & Schuster and earlier was Publisher of Villard Books, Executive Editor of Random House, Managing Editor of Rolling Stone, and Executive Editor of New York Magazine.

Scholastic announced that Lori Benton has been named VP, Publisher for its Trade Publishing division, starting January 3, 2011, and reporting to President of Scholastic Trade Ellie Berger. Benton was most recently the General Manager and Publisher of Capstone’s fiction division, and is currently Chairman of the Board of Directors for Every Child a Reader, the nonprofit foundation of the Children’s Book Council. She previously held positions in children’s books at Harcourt, Henry Holt, and William Morrow.

Patricia Eisemann will be joining Henry Holt on January 4 as Director of Publicity, VP Sales and Marketing Maggie Richards announced. A 20-year veteran of the book business, Eisemann was most recently at the New York Times as Assistant Director, Media Relations and Community Affairs/Corporate Communications.

Debbie Stier has left HarperCollins, where she was Director of Digital Marketing.

Dorchester CEO John Prebich has left the struggling publisher, and a new CEO, Bob Anthony, has been named. Anthony, who was most recently CFO and CEO at Backe Marketing, plans to “revitalize” Dorchester,” said a statement from the house.

Brenda Copeland has joined St. Martin’s as an Executive Editor. For the past five years, she has been Executive Editor at Hyperion, and prior to that she worked at Pocket Books and Atria.

Amber Qureshi is leaving Free Press, where she was a Senior Editor, to become Executive Editor of Viking, starting in January. Senior Editor Wylie O’Sullivan is also leaving Free Press, to spend more time with her family. Meanwhile, Alessandra Bastagli has joined Free Press as Senior Editor. Since 2005, she has been at Palgrave Macmillan, most recently as Executive Editor.

Trish Todd, VP and EIC, Touchstone, announced that Matthew Benjamin is joining as a Senior Editor on December 13. He was Senior Editor at Morrow.

Allison Lorentzen has been named Editor at Penguin Books. She was most recently an Associate Editor at HarperCollins and is also an editor of n+. In her new role, she will be working closely with Kathryn Court on Viking and Penguin acquisitions.

HarperCollins has hired Shane Norman as Director of Interactive Marketing, reporting to EVP, Chief Digital Officer Charlie Redmayne. He was Manager of Interactive Sales and Marketing at Fox Television.

Ruta Drummond, who was the children’s book buyer at Borders for over 25 years, has joined children’s book publisher tiger tales as Associate Publisher.

Emily Meehan has joined Disney/ Hyperion as Executive Editor. She has been Executive Editor at S&S Children’s for the past ten years.

Melville House has hired Charles Day as Director of Digital Marketing and Publicity. He had been General Manager of the Book Soup bookstore in Los Angeles.

Rob Crawford has joined Overlook Press as Editor. He was an Assistant Editor at HarperCollins.

HarperOne SVP, Associate Publisher Claudia Boutote announced some changes and additions to HarperOne’s publicity department: Darcy Cohan and Melinda Mullen have joined the company as Publicity Directors, reporting to Boutote. Cohan was most recently at PoliPoint Press and also ran her own PR firm, DLC Literary. Mullen began her career at HarperCollins and has held publicity positions at S&S, Putnam, and St. Martin’s; she also ran her own PR firm, MRM PR+Marketing. Julie Burton, Associate Director of Publicity, will also report to Boutote, and Suzanne Wickham, Senior Director of Publicity, will continue to report to her.

VP, Publisher Nicole Geiger and her four-person editorial group will leave Tricycle Press by January 31, when Random House Children’s Books is discontinuing the frontlist publishing program of the Berkeley-based publishing division of Ten Speed. Tricycle Marketing and Publicity Manager Laura Mancuso will stay on in the same capacity at Random House Children’s Books.

PROMOTIONS AND INTERNAL CHANGES

At HarperCollins, David Sweeney has been promoted to VP, Special Markets, responsible for Mail Order, Retail, Wholesale and Premium.

Amy Baker has been promoted to Senior Marketing Director of Harper Perennial.

Courtney Young has been promoted to Senior Editor for Penguin’s Portfolio, Sentinel, and Current imprints.

Counterpoint Managing Editor Laura Mazer will take on the additional role of Executive Editor for Soft Skull Press as well, managing acquisitions and operations.

DULY NOTED

Neal Goff, President, President-Elect of the Board of Directors at the Association of Educational Publishers, and president of Egremont Associates, has released a survey of e-book buying and reading habits. The study, conducted in August/ September, elicited responses from 1,300 teachers and librarians and revealed differences between the two groups. Some findings:

  • Librarians who bought e-books for professional reasons in the past year report having bought an average of 844 of them, most from school library budgets.
  • Over 92% of librarians say that at least some of their e-book purchases are funded by their school. Only 30% of teachers say the same thing.
  • 46% of teachers reported never having either bought e-books or obtained them for free. Only 29% of librarians reported no e-book acquisitions at all.
  • E-book-buying librarians have bought an average of 17.9 e-books for professional development purposes in the past year, compared to teachers’ average of 3.6 e-books purchased for the same reason.
  • 75% of teachers and librarians who purchase e-books feel that they will have a positive impact on students’ reading comprehension. For more information, or to find out how to buy the report for $20 off the retail price, visit www.egremontassociates.com.

The Lambda Literary Awards will be the new home for the Outstanding Mid-Career Novelists’ Prize, with separate prizes for “one self-identified man and one self-identified woman,” to “recognize emergent LGBT authors who have written and published at least three novels or two novels and a substantial additional literary work such as poetry, short stories, essays.”

Bowker PubTrack and the AAP will cohost two educational events at the AAP’s New York office. Each will provide an overview of the use of consumer data by publishing, followed by a presentation on how editorial, sales, and marketing professionals can use consumer data to acquire, market, and sell their titles more effectively. The first event, New Ways for Editors & Marketers to Understand the Changing Book Consumer, will take place on Thursday, December 16 from 9:30 AM to 12:00 PM. The second event, New Ways for Marketing and Sales Professionals to Understand Shifting Book Sales Channels, will take place on Thursday, February 3, 2011 from 9:30 AM to 12:00 PM. For more information about these events, please contact Tina Jordan at tjordan [at] publishers.org.

German-based Langenscheidt Publishing Group is closing Langenscheidt Publishers Inc., its U.S. division. Langenscheidt has been struggling with declining sales in all areas for several years, and this past fall, it sold its maps and atlas group to Universal Map.

IN MEMORIAM

A “celebration of the life” of Ralph Vicinanza will take place on December 7 from 6–8 PM at the Bruno Walter Auditorium at Lincoln Center, NYPL for the Performing Arts, 111 Amsterdam Avenue (between 64th and 65th St.). A reception will follow.

Survey! Holiday Books Gifting and Getting

Our new survey focuses on the books you’ll be giving (and hoping to get) this holiday season, as well as where you go for gifts (your company’s warehouse? Amazon?) and other book-giving etiquette issues, holiday parties, and more. It’s fun to take—we promise—and the results will be included in the December issue of PT and on our website.

Take it here: http://www.surveymonkey.com/s/JZ7PCVY by Tuesday, November 30, please!

And please pass this on to your bookish friends too–we’ll be donating $1 to Room to Read for each person who completes the survey.

Do Cookbooks Need Apps?

This morning Lynn Andriani, who oversees PW‘s Cooking The Books e-newsletter, moderated a cookbook panel that brought out an SRO crowd, and uncovered some surprising areas of agreement and disagreement among the panelists. These included Clarkson Potter‘s Doris Cooper, EatYourBooks.com‘s Jane Kelly, Cookstr‘s Will Schwalbe, and Bruce Shaw from the Harvard Common Press.

Everyone agreed that cookbooks are “souvenirs,” and gifts that people “open for inspiration,” but Cooper argued that “A good cookbook and a good website deliver the same experience: good content, great writing, fabulous photography.” Clarkson Potter is very careful with how many recipes it allow bloggers (who increasingly request exclusivity) and websites to use—usually about six. This is because, while recipes can entice a reader to buy the book, there is the fear that people will instead gather them up and feel that they don’t need to own the book. Having said that, however, Cooper also thinks that “cookbooks lend themselves to community,” and loves the idea of readers talking about their favorite recipes and authors.

Will Schwalbe was, as ever, the most upbeat of the panelists, and brought up the fact that the marthastewart.com website has about 12,000 recipes on it — and yet her cookbooks (published by Clarkson Potter) sell extremely well. Unlike most other CP authors, she also has Apps for some of her books. Read More »

Amazon Reaches Out to Publishers

At the American Book Producer Association’s recent panel, Jon Fine, Director of Author & Publisher Relations for Amazon.com, spoke about the ways smaller publishers and self-publishers can use Amazon to produce, promote, and distribute books in what he anticipates will one day be an “inventory-free” process. The event reflected Amazon’s recent attempts to present its “softer, gentler side”—to publishers and, more particularly, to authors. Amazon hasn’t come out and said that the success of competing e-readers and the imminent launch of Google Editions are responsible for its new attitude, but Fine said that over the last year and a half, the company has awakened to the idea that “authors are crucial.” Read More »