Freelance Publicists Contact Sheet 2016

Publishing Trends’ annually updated contact sheet of freelance book publicists includes 73 firms and individuals specializing in a wide range of genres and approaches. The majority of the publicists listed use both traditional and digital approaches, plus we’ve included two digital-only publicists who specialize in various aspects of online and social marketing and publicity. Each firm chooses a few specialties to list here. To download a PDF of the whole sheet, click below.

Freelance Publicists Contact Sheet 2016

Click on the image of the chart above for a full PDF version of the 2016 sheet.

Updated 4/21/2016 to include cjPurdy PR, Erin Kottke Public Relations, and Two|pr.

Top 5 Publishing Articles/Blog Posts of the Week 2/15-2/19

number_5_redEvery week, we recommend 5 publishing articles/blog posts that supplement the major news for the week. Whether data or industry commentary, we hope these 5 links will be a simple way to keep you in the know.

What kinds of incentives would people need to upgrade their ereader?

How can publishing houses and librarians work together to benefit each other?

Does Netflix need Amazon to survive?

Are children’s book titles becoming increasingly more unimaginative?

Do men and women read differently?

People Round-Up, Mid-February 2016


Lisa Lucas will become the Executive Director of the National Book Foundation in Mid-March, taking over for Harold Augenbraum. She is the Publisher of Guernica magazine and a nonfiction co-chair for the Brooklyn Book Festival.

Mary Ann Naples will become VP, Publisher at Disney Book Group in Mid-March. She was previously SVP, Publisher at Rodale Books. Meanwhile, Gail Gonzales will be promoted to VP, Publisher at Rodale.

Diane Blough was named Director, Category Marketing at Random House Children’s. She was most recently an Independent Marketing Consultant. Rachel Bader joined Random House Children’s as Director of Licensing She was previously Director of Licensing at Prometheus Global Media.

Donald Roseman joined Ingram as VP, Retail. He was previously General Manger and SVP, Sales and Business Development at Goodbaby International Holdings.

At agencies, Jessica Woollard joined David Higham Associates as Agent. She was previously Agent at the March Agency. . . Starting in March, Marianne Merola will be Translation Rights Representative for the Joy Harris Literary Agency, in addition to her current responsibilities as Foreign Rights Director at Brandt & Hochman.

Amy Jarashow is now Licensing Director, North America at Parragon and Wild & Wolf. She was Head of Business Development at IQ License.

Robert Spizer is now Subrights Manager at Diversion Books He was previously Group Director, Domestic Rights at HarperCollins.

Sarah Janet has joined Open Road Integrated Media as a Marketing Manager. Most recently she was a copywriter at Scholastic, and a Marketing Manager at Penguin.

Chris Evans joined Skyhorse as Senior Editor. He was most recently at Stackpole. Additionally, Lauren Jackson is now Senior Publicist. She was previously Publicist at William Morrow.

Allyson Rudolph has left her position as Associate Editor at Overlook Press. She can be reached at [email protected].

Matthew Lockhart is now Publisher, Standard Lesson Commentary, Bible-in-Life curriculum, and Adult Trade Book Resources at David C Cook. He was previously VP, General Manager and Publisher at Standard Publishing.

Don D’Auria left his position as Editor at Samhain Publishing. He can be reached at [email protected].

Seth Dellon joined Foreword Reviews as Director of Audience Development. He was previously Digital Business Manager at Publishers Weekly.

Carolyn Pittis rejoined publishing consulting firm Welman Digital. She was most recently VP, Operations at Sterling Publishing.

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Despite Their Differences, Digital Kids and Toy Fair Cheerfully Co-Exist

For the last four years Toy Fair and Digital Kids have been held in tandem, the Fair taking up the entire exhibition space at Javits, and Digital Kids being held downstairs in one of the large conference rooms.  With about 150 attendees, Digital Kids doesn’t compete with Toy Fair, with its estimated 33,000 visitors.  This year there was also a consumer component — Play Fair — presented by LEGO and Nickelodeon, along with “participating brands” like Hasbro, Mattel, Marvel, Cartoon Network, Crayola, Bandai, Toys”R”Us® and Warner Bros.

Toy Fair attracts a modest number of book publishers, most of whom were located on “publishers row,” below the main exhibition space, along with the wooden toys, Lego knock-offs and board games.  On the plus side, there was much more to see; unlike the aisles where Mattel, Crayola and Tomy resided, visitors could look at the products, which were not hidden behind walled fortresses as many of the big guys were.

Downstairs, Macmillan and HarperCollins were almost cheek-by-jowl, displaying books that were a mixture of classics and new.  Walter Foster/Quarto, which had a nice space (and great bags), was hyping Footloose, a book-and-CD package, with Kenny Loggins singing. Silver Dolphin/Thunder Bay Books, down the aisle from the others, was highlighting the Animal Adventures 3D books. National Geographic and Albert Whitman (promoting Boxcar Children) had small booths on the row, although the former had partners all around the convention center who featured their products.

At Digital Kids, literacy and reading were mentioned – but not a book or author’s name passed the speakers’ lips.  Still, there were some interesting presentations and stats:  Maria Bailey from BSM Media talked about millennial moms’ quest for “connected” toys, games and apps, and noted that 65% of moms look for STEM (Science, Technology, Engineering, Math) content, though almost a third want toys to promote creativity.

Alice Kahn, a YouTubeKids advisor, made a plea to let small kids have the chance to experience “object manipulation in 3D,” saying it was critical to a child’s development.  There was much discussion during the two days about the balance (which Amanda Gummer, from Fundamentally Children HQ called the “play diet”) between physical and digital, and education and entertainment.  Dust or Magic’s Warren Buckleitner went further, asking his app developer panelists how they could make money while maintaining ethical standards.  Most said they didn’t sell products – but made them available if a child wanted new apps.  All the developers decried free apps, which makes it difficult to produce high quality games that can be monetized.  But Dr. Panda Games’ CCO Tom Buyckx said their apps, most of which are on a pay model, had been downloaded 50 million times – in 16 languages.

A panel on virtual badges and currency prompted the most tweets of the entire conference.  Tech journalist Robin Raskin talked about how to prepare kids for the coming cashless society.  One company, KidsNBids, offers a form of currency that can be used in educational games.  Choremonster gives kids points for helping out at home, which they can exchange for treats from their parents.

Just as Toy Fair was devoted to products sold at retail, most of the speakers at Digital Kids were squarely focused on the digital future – a chasm that was apparent when Wonder Toyshop CEO Vikas Gupta announced that soon “Software will power the heart that beats inside every toy.”

Somehow that might not sit too well with the $20 billion dollar industry that was showing off its wares upstairs.

Top 5 Publishing Articles/Blog Posts of the Week 2/8-2/12

number_5_redEvery week, we recommend 5 publishing articles/blog posts that supplement the major news for the week. Whether data or industry commentary, we hope these 5 links will be a simple way to keep you in the know. released its February 2016 report, which says that indie publishing sales are on the rise while the Big 5’s sales have been steadily dropping.

How can we fight ebook piracy spamming websites?

According to a survey from UK reading charity BookTrust, 76% of children under the age of eight prefer print books over digital when reading for fun.

What factors make readers recommend books to their friends?

Why are more bookstores a good idea for Amazon?

License to Succeed?

Licensing deals have always been popular with publishers. As Publishing Technology COO Randy Petway astutely pointed out in his recent Publishing Perspectives article, “When sales are not something that can be planned for or predicted, publishers rely heavily on brand awareness through licensing deals, both to sell books and open new markets for intellectual property.”  Since the digital revolution, start-ups have taken to buying up licensed properties to give them a jump-start in the market – to such a degree that some people are wondering if a start-up needs licensed content in order to succeed.

It’s not shocking to hear that licensed products are dominating the children’s market, but the actual numbers and statistics are surprising. The 2014 Nielsen Children’s Book Industry Report noted that “the largest brands tend[ed] to center around a specific author, especially those with movies attached to their properties.” Of the top 20 titles sold from the third quarter of 2013 through the fourth quarter of 2014, 18 of them were attached to a movie, video game, or personality. The other two titles, If I Stay and Paper Towns, have since been made into movies.

More recently, Publishers Weekly reported that “global retail sales of licensed products saw a rise of 2% in 2015, to $158.8 billion.” Nielsen’s 2015 Book Market Report stated that 17 of the top 20 children’s bestsellers had some attachment to a movie, video game, or radio personality. The three exceptions were two Dr. Seuss titles and the board book Little Blue Truck.

It’s long been understood that blockbuster books can turn into movies. The obverse is also the case,  with movies, games, and personalities becoming books. This trend accounts for almost half of the top 20 bestseller lists in Nielsen’s 2014 and 2015 reports. This is especially evident with the sale of Frozen titles in 2015: the top 50 tie-ins in 2015 sold a total of 4,733,677 copies and of those top 50, 73% were Frozen titles. The next highest percentage were titles related to the Disney animated show Sofia the First at 3%. Numbers aren’t available for Star Wars licensed materials since the release of Force Awakens, but it seems likely that those numbers will displace Frozen as the highest percentage in 2016.

Almost 85% of the top 50 media-tie ins sold in 2015 were books published by one of the Big 5. That doesn’t mean that smaller publishers and startups aren’t finding their own space in the licensing market too. As Edda USA (a branch of a Nordic publishing company launched in the US in 2014) CEO Jax Olafsson put it, “The market is screaming for coordinated efforts in marketing and selling books supported by movie or brand,” which means there’s plenty of room for many publishers to take advantage.

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Top 5 Publishing Articles/Blog Posts of the Week 2/1-2/5

number_5_redEvery week, we recommend 5 publishing articles/blog posts that supplement the major news for the week. Whether data or industry commentary, we hope these 5 links will be a simple way to keep you in the know.

The Guardian takes a look at books that aren’t publishable on paper.

Will the variety of new, attractive features on ereaders boost their sales?

Should ebook completion rate data compel authors to write their books differently?

What are the main challenges of selling direct-to-consumer?

Porter Anderson analyzes Authors United’s stance against Amazon.

People Round-Up, Early February 2016


F+W hired Tom Beusse as CEO. Beusse was formerly Founder and President of the USA Today Sports Media Group.

Margaret Milnes is now Marketing Director at Globe Pequot Press. She was most recently Senior Director, Brand Management at Running Press.

Cindy Ratzlaff has joined Simon & Schuster imprint North Star Way as Director of Brand Development. She was previously President of her agency Brand New Brand You Inc.

Becky Brasington Clark will become the Head of the Library of Congress Publishing Office in March. She was previously Director of Marketing at Johns Hopkins University Press.

Kaiulani Kaneta joined Penguin Random House as Associate Director, High School Marketing in its academic marketing department. Philip Stamper-Halpin joined PRH as Manager, Publishing Development and Author Platforms. He was Managing Editor at Kingston University Press. Lucy Silag is now Assistant Director of Publicity at Random House. She was previously Director of Book Country.

Janelle Gonzalez joined Little, Brown as Brand Analyst for Brand, Licensed, and Media Tie-In publishing. She most recently worked in the consumer products licensing department of the National Hockey League.

Jodi Hammerworld joined Chronicle Books as Associate Distribution Client Account Manager.

Porter Anderson is now Editor of Publishing Perspectives, taking over for Ed Nawotka, who has run the publication since 2009. Anderson was Associate Editor at FutureBooks.

At agencies, Maggie Riggs launched her own boutique agency for literary fiction, The Riggs Agency. She was Editor at Viking. . . Berta Treitl joined Renaissance Literary and Talent as Literary Agent. . . Stephanie Fretwell-Hill will join Red Fox Literary as Agent. She was Editor at Peachtree Publishers. . . Chris Lupo joined Chernin Entertainment as Book Scout. He was previously Senior Literary Scout at Sanford J. Greenburger Associates. . . Christina Clifford joined Union Literary as Agent. She was previously an Agent at Aitken Alexander.

Chelsey Emmelhainz will join Skyhorse on February 8th as Editor for the Skyhorse and Arcade imprints.

Julie Wenersbach joined The Texas Book Festival as Literary Director. She was most recently Marketing Director at BookPeople.

Kat Meyer joined the Book Industry Study Group as Director, Content Development and Acquisition. Previously, she was Director, Events and Community Engagement at Publishers Weekly.

Dave Thornton joined David C Cook as VP, Strategic Partnerships. He was previously CEO at Gospel Light.

David Nuss joined Alternative Comics as Associate Publisher.

Caitlin Ellis joined BookBub as Account Manager. She was formerly Manager, Domestic Rights at HarperCollins.

Read More »

International Bestsellers, January 2016

Every month, Publishing Trends runs fiction international bestsellers lists from four territories–France, Germany, Italy, and Spain. This month, our four regular territories are joined by two more: Poland and South Africa. Those books that have been published in English are listed with their official English-language title. All others are translated as literally as possible from the original. Where applicable, the US publisher is listed after the local publisher, separated by a “/”. The lists are taken from major newspapers or national retailers, which are noted at the bottom of each list.







Top 5 Publishing Articles/Blog Posts of the Week 1/25-1/29

number_5_redEvery week, we recommend 5 publishing articles/blog posts that supplement the major news for the week. Whether data or industry commentary, we hope these 5 links will be a simple way to keep you in the know.

Lee and Low released its Diversity Baseline Survey for 2015, which shows that publishing is mostly straight, non-disabled white women.

Why doesn’t speed reading work?

What does the future of publishing really look like?

What impact has Amazon’s uncollected sales taxes had on state and local governments?

Should publishers be producing less books?