While the rest of the world suffers the economic squeeze, the government-run Chinese publishing industry has counterintuitively managed to cultivate opportunity for expansion both for local entrepreneurs and international publishers. Talk of less state interference and mounting interest from foreign markets is encouraging some publishers to brave the censors, fears of piracy, and the cultural divide and head east.
China’s publishing industry (guest of honor at this year’s Frankfurt Book Fair) is currently regulated by assigning ISBN numbers only to state-owned publishing houses, forcing both local and foreign publishers to partner with them. Foreigners must also commit to a venture with a Chinese company that represents the majority of shareholders. …Continue Reading
Tagged As: Tags: Association of American Publishers, Baensch International Group, Bamboo Goalposts, Barnes & Noble, Bernhard Schlink, Big Apple Tuttle-Mori, Book City Beijing, Book City Shanghai, Cecelia Ahern, censorship, China, Chinese publishing industry, Daniel Watts, Donald Trump, Frankfurt Book Fair, HarperCollins Beijing, Jiang Rong, Jo Lusby, John Nesbitt, Luc Kwanten, Michael Crichton, My Name Is Red, Nobel Prize, Orhan Pamuk, Pan Macmillan Asia, Paper Republic, Patricia Judd, Patrizia van Daalen, Penguin China, piracy, Robert Baensch, Rowan Simmons, Shanghai 99, Stella Cho, Taiwan, The Da Vinci Code, The Kite Runner, Tiananmen Square, Tibet, Toby Eady, Tony Parsons, Twilight, Wolf Totem, Yang Hung Ying
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